Peter Bogdanovich revisits the lyrical strain of bittersweet nostalgia he tapped into in THE LAST PICTURE SHOW in this 1930s-set comedy about the unlikely partnership that develops between a smooth-talking Kansas con man (Ryan O’Neal) and a young girl (Tatum O’Neal) who may or may not be his daughter. The evocative monochrome cinematography by László Kovács and scene-stealing performance by Tatum O’Neal—who became the youngest person ever to win an Academy Award for her memorable turn opposite her real-life father—are among the pleasures of this sweetly unsentimental slice of dust-bowl Americana.

Humphrey Bogart delivers some of the most deliciously overwrought hard-boiled dialogue of the noir era in this offbeat, byzantine crime drama. He plays ex-Army captain Rip Murdock, who, when his war hero buddy goes missing, sets out to track him down—only to wind up the prime suspect in his friend’s murder. Costarring Lizabeth Scott as the husky-voiced femme fatale and featuring a head-spinning array of twists and double crosses, DEAD RECKONING takes the noir playbook to its sublimely over-the-top extreme.

THE LAST PICTURE SHOW is one of the key films of the American cinema renaissance of the seventies. Set during the early fifties, in the loneliest Texas nowheresville to ever dust up a movie screen, this aching portrait of a dying West, adapted from Larry McMurtry’s novel, focuses on the daily shuffles of three futureless teens—the enigmatic Sonny (Timothy Bottoms), the wayward jock Duane (Jeff Bridges), and the desperate-to-be-adored rich girl Jacy (Cybil Shepherd)—and the aging lost souls who bump up against them in the night like drifting tumbleweeds, including Cloris Leachman’s lonely housewife and Ben Johnson’s grizzled movie-house proprietor. Featuring evocative black-and-white imagery and profoundly felt performances, this hushed depiction of crumbling American values remains the pivotal film in the career of the invaluable director and film historian Peter Bogdanovich.

Hailed as one of the finest films ever made, JULES AND JIM charts, over twenty-five years, the relationship between two friends and the object of their mutual obsession. The legendary François Truffaut directs, and Jeanne Moreau stars as the alluring and willful Catherine, whose enigmatic smile and passionate nature lure Jules (Oskar Werner) and Jim (Henri Serre) into one of cinema’s most captivating romantic triangles. An exuberant and poignant meditation on freedom, loyalty, and the fortitude of love, JULES AND JIM was a worldwide smash in 1962 and remains every bit as audacious and entrancing today.