To save in SILENT HILL 2, lovelorn James Sutherland needs only to gaze into an ominous red square on the wall and press X:

I believe at one point he says something about them making his head hurt, or like he can feel something touching the inside of his mind, or some such thing . . .

Anyway: the other night when Elina was here and we were playing SH2, she asked me where my save point would be. I said, “You mean, in time? Where would I reload from if I could?” and she said yes. The answer came immediately of course: “The year 2019.”

Last night, perhaps because of this conversation, I approached the red square on my bedroom wall and gazed into it. I had a dream about the year 2019. I was back in it again. My brain had reloaded from a save point I had made at the beginning of summer of that year, which was one of the best summers of my life. And so happily I wandered around inside it. I played the part of my 31-year-old myself, who had no idea how good he had it. I distinguished my memories of the future, knowing that after that summer, The Final Summer, the party would finally be over for all of us. I decided to simply absorb as much of that time and those people as I could before I awoke again into the dark uncertainty of 2026.

Why was 2019 so good? I have written of it many times on this very website:

Were I to come up with some sort of metric to assess the many years of my (adult life), it would quickly become clear that 2019 was the “best” one. What would be the criteria? I guess that means things like: 1) my house, 2) my car, 3) my job, 4) my friends, 5) my g-g-girlfriend(s), 6) things I did, 7) places I went, 8) people I met, 9) number of books I read, 10) number of movies I watched, and so on.

In which case: In 2019 I had a cool house and a cool car and a cool girlfriend. I had good friends who lived close by and who came over often, and had good friends from far away who stayed with me. I did a lot of new stuff and went on several trips and met a lot of cool people. I read a lot of books and watched a lot of movies. Yes, it was a good year, and probably the most amount of quote-unquote stability I’ve ever experienced. Nothing has ever really come close to it again.

Last night I lived inside my dream with all those people I love from back then for as long as my mind could sustain it. My dream was a blend of my own memories and of photos taken by my good friend Tombo in Spain, who stayed with me for a whole month back then:

But it was not to last. Eventually something inside my sleeping body stirred and the dream world, the dream of the summer of 2019, began to collapse in on itself. I’d burned through all the Trazodone in my system. I felt a sadness as I watched my dream freeze in time and turn black and white and come apart. I had the sudden sensation of being terribly alone inside myself.

I opened my eyes and awoke at noon on my couch in Berlin in the winter of 2026, a few weeks after my 38th birthday. No more house, no more car, no more Pink-Haired Girl, no more Dante . . . I looked outside my balcony and saw that it had snowed overnight. I wondered at it all. My chest ached and I felt a longing. And then I stood up and stretched my skeleton and walked towards the kitchen to make coffee.

I am past scorching; not easily can’st thou scorch a scar.

moby-dick

today . . .

i met julia at muji in ku’damm, where i bought candles and pencils and soap and notebook paper . . . and julia bought the exact same blanket i have on my couch because she likes it so much

afterwards we took a bus to charlottenburg and walked through antique stores where i saw my father in a painting . . .

and laura and me as porcelain rabbits . . .

and when we parted, she gave me a birthday present and a very sweet card, which i opened and read when i got home . . .

elina the estonian girl came over a little while later and began writing in her journal in english using a quill . . .

we made pizza and played SILENT HILL 2 and talked about what we’re going to film together later this week . . . which is a secret!!

sister elina has just left to catch the last train home, so now i am running a bath and making tea and burning one of my new muji candles, which smells like a bonfire

i’m planning a big thing . . . it involves the aforementioned filming. maybe it also means i will soon be where you are, provided you live in a densely populated metropolis. whoa! well: i ain’t gonna spoil anything. i guess you’ll just have to wait and see!!!

He had brought with him an ability to see things as funny no matter how bad he felt. Everybody in the circle clapped, and, glancing up, startled, he saw the ring of smiles, everybody’s eyes warm with approval, and the noise of their applause remained with him for quite a period, inside his heart.

ACHTUNG BERLIN!

Word just come down from the mountain that my beloved nephew, Gego the Cat, will be staying with me in my apartment here in Schöneberg this weekend:

Thank God! I was going crazy without Gego. I need him!

FOR THOSE WHO CAME IN LATE:

I have helpfully included a photo of Gego at the top of this post. I specifically chose a photo where

  1. my bicep looks huge (in case any cute girl’s are reading . . .)
  2. he is clinging to me for dear life because he didn’t want to go to home . . . he loves being here that much!

If you’re in the Berlin area, come on by and see us. It’s warm up here and I have plenty of tea and coffee and incense. I am told Elina will also be here (she texted me at the exact same time as Isabella asking me to help her graduate from college), so you can say hello to her as well.

OK?

George Grosz
1893 Berlin, Germany
1959 Berlin, Germany

Der Liebeskranke
Sick of Love
1916
Oil on canvas
Acquired 1979

George Grosz was regarded as an enfant terrible by Berlin society. He liked to shock onlookers with his attire and powdered face like a death mask, and he called himself “Graf Ehrenfried.” In this painting, the last guest sitting in the Café des Westens in Berlin is the artist himself, surrounded by the utensils of his addiction. In his breast pocket is a gun, which was part of his getup as king of the lowlifes and someone tired of living. The ostentatious decadence of the morbid dandy must have seemed like a slap in the face for the soldiers serving on the front in the war year of 1916. The plunging perspectives, distorted proportions, and caricature-like exaggerations used by Grosz are essential stylistic elements of Expressionism. The dynamic spatial representation also alludes to Futurism, without its enthusiasm for the big city and its faith in technology.

thank’s joe lol